In-Class Practice 2
Biopics have always been a way for audiences to see into the personal lives of history’s most influential and notable people. From musicians, politicians, movie stars, athletes and normal people thrust into the spotlight, it can show what makes them who they are. With this year’s Oscar nominations, biopics once again claimed many nominations. Christopher Nolan’s Oppenheimer securing 13, Bradley Cooper’s Maestro taking seven, Ridley Scott’s Napoleon with two and Todd Haynes’ May December with only one. All of these were lauded by critics upon release, but one of them did not resonate well with audiences. Maestro , about the composer Leonard Bernstein, had significant involvement from Bernstein’s three sons, and was panned by audiences. This c ontinues a trend where involvement from the subject or their families dilutes the story and character of the biopic. It allows them to control how the public re...